Black sabbath logo house targaryen sigil3/19/2024 ![]() ![]() “He was like, ‘Oh, yeah, these are cool,’ ’cause they were quite surrealistic.” When Wyper moved from CBS to Vertigo, he offered Macmillan a job.Įvery Awful Thing Trump Has Promised to Do in a Second Term “He was being very kind,” Macmillan says with a laugh. Macmillan, who had been taking pictures since he was eight years old, was studying photography at London’s Royal College of Art and had agreed to assist with a black-and-white promo video Wyper was producing for Fleetwood Mac’s “Albatross.” Macmillan met Wyper at a pub, where the record exec asked to see some of the photographer’s pictures. He had met the label’s president, Olav Wyper, when Wyper worked at CBS Records. “I’m very happy just to do this for Sabbath, really,” he says.Īt the time of the Black Sabbath sleeve, Macmillan was still new to his job as the in-house album designer for Vertigo Records, a U.K. When Rolling Stone reached out to him, asking to discuss Black Sabbath for its anniversary, he changed his mind. In addition to the first four Black Sabbath LPs, he shot classic album covers for David Bowie and Rod Stewart, and videos for Kate Bush and Motörhead, among many other projects. But “Keef,” whose real name is Keith Macmillan, has never voluntarily agreed to an interview. All fans had to go on was a credit that said, “Album designed and photographed by Keef,” a name that would also appear on the next three Black Sabbath albums. ![]() Black Sabbath was the perfect example of music and cover art in complete synergy.įor a half-century, mystery has surrounded the Black Sabbath sleeve. Among other nasty visuals, the text describes severed bird wings, poppies that bleed, and “mute birds, tired of repeating yesterday’s terrors,” all leading up to a line about how “by the lake a young girl waits, unseeing she believes herself unseen, she smiles, faintly at the distant tolling bell, and the still falling rain.” The imagery was as evocative as it was provocative.Īnd then you played the music, hearing Tony Iommi‘s crushing riffs and Ozzy Osbourne‘s terrifying tableaus of horror. When listeners opened the gatefold sleeve, before even dropping the needle on the LP, they saw an inverted cross that contained not only the songs and credits, but also an unnerving poem. A witchy-looking woman stands alone in the woods in a haunted underworld, staring out at you, clutching something - her cloak? a cat? ![]() ![]() Their sigil presents an elegant house, always prepared to protect their domain.The cover of Black Sabbath‘s self-titled debut, which came out 50 years ago today, has become one of rock’s most iconic and captivating album sleeves. The bird reflects the house’s mastery of the skies and their strategic advantage of controlling the Eyrie, a fortress located high in the mountains. The vigilant House Arryn, rulers of the Vale, is accurately represented by a soaring bird displayed on a field of blue. Each head of the dragon represents Aegon the Conqueror and his two sister-wives, Rhaenys and Visenya, who led the invasion of Westeros and forged the Iron Throne. Their emblem goes back to the days when House Targaryen ruled as dragonlords, and commanded the skies with their magnificent beasts. Like lions, the Lannisters are also known for their cunning and calculated strategies.Ī three-headed dragon, set against a black background, the sigil of House Targaryen, portrays the house’s legacy and their connection to dragons and ancient Valyria. As a conservative and traditional house in Westeros, a golden lion fits them perfectly. The lion’s fierce yet majestic presence represents the family’s pursuit of power, wealth, and influence. House Lannister’s sigil is a golden lion on a crimson background, symbolizing their ambition and regal grandeur. ![]()
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